ESPIONAGE!

MESSAGE INTERCEPTED STOP SOOTY CARRIER PIGEON SHOT DOWN OVER WALKLEY STOP UNKNOWN PISCO ATTEMPTING TO CONTACT DE'INERTNATIONALE STOP MESSAGE READS - NOTE - SOME WORDS RENDERED ILLEGIBLE BY RED WINE STAINS STOP


Okay, been XXXXXXXXX to it all day now. Some list-type thoughts -


I know the XXXXXX of the Andyvox (which I'm taking to be the template, not withstanding the interesting XXXXX from Ed, and the fact I haven't XXXXXXX to my take) is for the most part XXXX XXXXX, can't we have a 'vodka and tonic' for obvious reasons?

Re: Mixing - In an unusual move from my usual 'whack XXXXXX XXXXXX on it', I want to take something out of the bit between the XXXXX XXXXXX and the XXXXXX XXXXX - maybe the bass, maybe a guitar, maybe the drums, XXXXX everything! Just needs a change in XXXXXXX, and XXXX little in this song needs any more, apart from maybe...

... a XXXX? There's already some Ed bits on the second XXXXX that could be brought out. Or are vocals going XXXXX. How about a sitar?

We XXXX to make a film of this song - something like Carry On... XXXXX Laurence of Arabia?

I hear XXXX voices in this XXXX we need snatches of vox. Maybe finishing Versey XXXX off?

The XXXXXXX need to sit apart, XXXXXX side of the bass, XXXXX itself needs XX XXX phatly.

Andy, will try and get down on XXXXXX for some crazy. Maybe will pop another XXXXX, if we've time to XXXXXX anything XXXXX going to change, and if my XXXXXXXX stops fucking with every part of me that's open to XXXXXX invasion. Feel pretty XXXXXXX. Mustn't complain though. Worse things can happen.

Ed, you XXXXXX very very well, on both parts - I'm envious.

Time for XXX